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Ideas / Research & Design / 8.26.2025

A Case for Stillness in Architecture

A view of the Jack C. Taylor Visitor Center from the Missouri Botanical Garden

In an era defined by 24-hour news, constant reels, notifications and divided attention, architecture stands at a threshold. More than a backdrop to daily life, built environments are increasingly called upon to act as anchors  places that intentionally slow us down, invite reflection, and restore a sense of well-being. Now more than ever, architecture should do more than function; it should also focus perception and heighten awareness. 

While perception is tied to physical senses of touch, sight, hearing, taste and smell, it also speaks to our sense of reverence for time, space, and the unseen. Historically, churches, temples, and mosques provided the environment to connect with faith and uncertainty and represented what is referred to as the “sacred. The “profane, by contrast, is viewed as the everyday, fleeting, and utilitarian. There was perhaps a time when the line between the sacred and profane was not as distinct, and the transition from daily life to a place of contemplation was more congruent with people’s culture and values. Today, however, the sacred is not always apparent, and the profane has become overstimulated as even our most mundane spaces have become inundated with distraction.  

While the widening gap between the sacred and the profane isn’t always easy to bridge, the disconnect offers opportunities where these distinct space types could be reconsidered and reinterpreted. The shift has already begun, as the sacred no longer has to be tied to paradigm or symbolism — in many ways, it’s become more of a matter of attention. Today, a sacred space might be anywhere with a quiet threshold, subtle shift in light, or a space that holds rather than fractures our thoughts.  

While spaces of varying functions and scales can be imbued with deeper meaning, we believe cultural institutions, in particular, have profound potential to reclaim their roles as sanctuaries of attention among the most prominent spaces where stillness is not only permitted but protected are our museums, libraries, and civic cultural institutions. These environments offer an opportunity to center contemplation. Whether it’s through the curious anticipation of an exhibition, the quiet pause between galleries, or the deliberate unfolding of an interpretive narrative, these spaces often guide us towards a deeper engagement with ourselves and one another with the goal of understanding our larger culture and community. 

In a world that capitalizes on distraction, these spaces are becoming more essential as places of learning, curiosity, presence, memory, and meaning. Designing for attention means creating environments that honor slowness, sensory engagement, and emotional resonance, which in turn can contribute to feelings of well-being. 

To allow for experiences that foster awareness and well-being, there are a number of strategies we integrate into our work: 

  • Temporal Design: Spaces that emphasize the experiential over the immediate spectacle. This can be seen at the National Aquarium’s Harbor Wetland, where visitors can engage with the harbor’s natural elements with curiosity and wonder as it relates to the intersection of the harbor and urban environment. 
Harbor Wetland
National Aquarium Harbor Wetland
  • Material Honesty: Incorporating natural materials that evoke place and character. An example is the Missouri Botanical Garden Jack C. Taylor Visitor Center, where biophilic design carries throughout spaces and their details. 

 

Missouri Botanical Garden Jack C. Taylor Visitor Center
  • Threshold and Sequence: Implementing transitions that allow for deliberate movement and awareness. This was a major component for our work for the Royal Commission for AlUla in the planning of art in the landscape for both Wadi AlFann and Desert X.
The view looking north from the Desert X visitor center
The view looking north from the Desert X visitor center
  • Silence and Pause: Advocating for spaces that offer visual and cognitive quiet to foster creative learning, especially when it is influenced by climate and site. This was a goal of the Helmar and Enole Nielsen Center for Visual Arts at Eckerd College, which was designed to enhance light, art, and connection to place. 
Eckard Stillness
A studio within the Helmar and Enole Nielsen Center for Visual Arts at Eckerd College

Architectural response is how we do our part to design environments that break from the noise. As architects, we often see our role not just as problem-solvers or place-makers, but as stewards of attention. Our tools are timeless — proportion, sequence, light, texture — but our challenge is of the moment. In every project, whether cultural, civic, or institutional, we should ask: how can each space help people arrive more fully? Or how can it become a small act of restoration and well-being? 

This kind of intentionality in design is critical because we believe that architecture still acknowledges and offers opportunities for people to pause, breathe, and reconnect with themselves and each other. By designing with attention in mind, we do our part to shift the paradigm and reassert cultural spaces that support contemplative engagement and a sense of well-being that we all need to thrive.  

Neelab Mahmoud is an architect and planner who specializes in cultural projects. 

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